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The Black Banjo Reclamation Project focuses on building cultural access in Diasporic African communities to traditional indigenous ways. Love said his self-made instrument allowed him to tune into his ancestors. Performance by Hannah Mayree and SeeMore Love at the 2020 Hardly Strictly Bluegrass online event Oct. 3, 2020. Playing a fretless gourd banjo has given me a deeper sense of connection to the instrument. Jon Langford & … Carlton “Dr. We tell unforgettable stories about people, ideas, and a wide array of arts and traditions that help us explore where we have come from and where we are going. The inspiration [for the BBRP] is the earth, really, because that’s where the instruments are coming from.”. In the spirit of inclusivity, we respect the wishes of our collaborators in capitalizing—or not—racial, ethnic, and cultural terms. Through our extensive network across the country, our work promotes conversation and action in healing the ancestral, historical, cultural and racially dividing wounds in this country and the world. In recent decades, scholars and master musicians such as Daniel Laemouahuma Jatta have kept alive the traditions of these instruments, which ethnomusicologists worldwide are finally recognizing as living ancestors of the banjo. Bonnie Raitt. Report: Gavin Newsom's team 'increasingly concerned' about recall efforts Check out and support these Black traditional musicians: Black Banjo Reclamation Project, Rhiannon Giddens, Our Native Daughters, Ben Hunter and Joe Seamons, and Jake Blount. The 2020 Banjo Gathering will be held virtually! The folks in question aren’t just in the Bay Area anymore. She is also the founder of the Black Banjo Reclamation Project, a vehicle to return instruments of African origin to the descendants of their original makers. The Black Banjo Reclamation Project, based in the San Francisco Bay Area, aims to put banjos into the hands of everyday people. It’s topped off with goat skin stretched across the opening in the hollow gourd body. All proceeds from “Give It Time” will go towards the Black Banjo Reclamation Project, a vehicle to return instruments of African origin to the descendants of their original makers. Gardening, tanning, and woodworking with hand and power tools are all skills applied in building a banjo. It does this in two connected ways: by producing most of the components and by teaching banjo-building skills in community workshops. Jimmie Dale Gilmore & Butch Hancock. Along the way, its connection to Black heritage was effectively erased. It would be a factory-made object with a round wooden or metal body, with a synthetic, drum-like membrane stretched taut across the body, and four or five metal strings spanning a fretted neck. Bo & Lebo. My teaching rate is $50/hour, payable by Venmo or PayPal. “And we definitely focus on the community that we serve in terms of Black folks.”. Let's take action in support of Black lives! In solidarity, Maggie Then the BBRP addresses the bigger objective to retake possession of the narrative and tell the story of the banjo from the Black perspective. Few banjo makers produce them on a commercial scale. Led by teaching artist Tiffany Golden, the students in Song & Story Camp wrote original songs that were composed and recorded by their musicians.These songs represent the world we are living in today. The strings are nylon—the modern version of traditional “catgut” strings made from sheep or goat intestines. Proceeds from this release will go toward the Black Banjo Reclamation Project, a vehicle to return instruments of African origin to the descendants of their original makers. Those African instruments never made the journey on slave ships bound for the Americas, but the technology for building them was carried in the heads of the passengers along with their memories of the music. Photo by Avé-Ameenah Long. By the early twentieth century, the mass-produced banjo had become a symbol of White supremacist culture—so much so that in later decades people sometimes had difficulty accepting the fact of its African origins. The Black Banjo Reclamation Project is a multi-cultural collaboration that supports the healing of historical and ancestral trauma in all communities through our relationship with the earth and her people. The banjo has been on a diasporic journey the same way that many of us and our bloodlines have been. “But White people do have a bad habit in this country of taking something from another culture, whitewashing it, and profiting off of it to the exclusion of that cultural community. 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